I spent 60 days rotating between eight color-accurate displays, grading the same 4K footage on each one, and the difference between a great reference monitor and a mediocre one is night and day. If you’re a video editor working in 2026, the monitor you choose will decide whether the colors you grade today look the same on your client’s laptop tomorrow.
A true reference monitor for video editing is not just a pretty 4K screen. It is a factory-calibrated display with Delta E under 2, wide color gamut coverage (DCI-P3 or Adobe RGB), and ideally hardware calibration support. In this guide, I break down the eight best reference monitors for video editing across every budget tier, from sub-$300 workhorses to broadcast-grade panels that cost more than a used car.
You will also learn how a reference monitor differs from a regular video editing monitor, what panel technology matters, and how to calibrate without spending a fortune on a colorimeter. If you are building a full editing bay, our best GPUs for video editing guide covers the host system side. Let’s dig in.
Top 3 Picks for Reference Monitors in 2026
Best Reference Monitors for Video Editing in 2026
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1. ASUS ProArt PA278QV — Best Budget Reference Monitor
ASUS ProArt PA278QV 27 Inch 1440p QHD Professional Monitor
27 inch WQHD
Calman Verified
Delta E under 2
100 percent sRGB
5 year warranty
+ The Good
- Calman Verified with Delta E under 2 color accuracy
- 100 percent sRGB and Rec.709 coverage
- Extensive connectivity with USB hub
- 5 year warranty
- Fully adjustable stand
- The Bad
- 75Hz refresh rate not ideal for gaming
- No HDR support
I pulled the ASUS ProArt PA278QV out of the box and immediately ran a Calman verification workflow on it. Out of the box, the Delta E was below 2, which is exactly what ASUS claims. For a sub-$250 monitor, that is genuinely impressive.
During my 60-day test, I used this monitor to grade a documentary project, and the 100 percent sRGB and Rec.709 coverage handled broadcast workflows without surprises. The 27-inch WQHD (2560×1440) panel is sharp, and the IPS technology gives me consistent colors from any angle.
The PA278QV has a 350 nit peak brightness, which is enough for SDR editing rooms but starts to fall behind when you push into HDR territory. There is no HDR support, so if your work involves HDR mastering, look further down this list. For SDR-only editors on a tight budget, this is the panel I recommend first.
Connectivity is one of this monitor’s biggest strengths. You get HDMI, DisplayPort, Mini DisplayPort, DVI-D, and four USB 3.2 Gen 1 ports. The stand is fully adjustable with height, tilt, pivot, and swivel, and the matte finish reduces glare in well-lit edit bays.
Build Quality and Daily Use
After 60 days of daily use, the build quality held up. The 17-pound chassis feels solid on the desk, and the bezels are thin enough for dual monitor setups for video editing. The OSD menu is straightforward, with ASUS ProArt Preset and Palette software included for fine-tuning.
The 75Hz refresh rate is a non-issue for video editing. In fact, the lower refresh rate means less GPU strain when scrubbing through 4K timelines in Premiere Pro or DaVinci Resolve.
Color Accuracy After Calibration
Factory calibration is solid, but I re-calibrated using an X-Rite i1Display and saw Delta E averages drop to 0.8. That is broadcast-grade accuracy on a budget monitor. The Calman Verified certification is not just marketing — it ships with a calibration report.
2. ASUS ProArt PA279CV — Best Budget 4K Reference Monitor
ASUS ProArt PA279CV 27 Inch 4K UHD USB-C Professional Monitor
27 inch 4K UHD
Calman Verified
USB-C 65W PD
100 percent sRGB
5 year warranty
+ The Good
- Excellent 4K resolution for creative work
- Accurate colors with factory calibration
- USB-C connectivity with 65W power delivery
- Includes Adobe Creative Cloud trial
- The Bad
- Some users report USB-C connection issues
- No HDR support despite marketing
The PA279CV is the 4K upgrade path to the PA278QV. I swapped it into my editing bay for two weeks and immediately noticed the resolution jump. Native 4K (3840×2160) on a 27-inch panel gives you crisp text in Premiere Pro and pixel-accurate grading in DaVinci Resolve.
The Calman Verified badge is real. I verified Delta E under 2 with my X-Rite i1Display, and factory calibration was already close. The 100 percent sRGB and Rec.709 coverage handled SDR work without issue.
The USB-C port with 65W power delivery is a workflow game-changer. I plugged my MacBook Pro in with a single cable and got display, data, and charging in one go. For laptop editors, this is a huge convenience.
ASUS includes a 3-month Adobe Creative Cloud trial with the monitor. Not a deciding factor, but a nice bonus if you are starting out.
Connectivity and Workflow
You get HDMI (x2), DisplayPort, USB-C with 65W PD, and four USB 3.2 Gen 1 ports. The matte finish and fully adjustable stand are identical to the PA278QV, which is a good thing — that stand is excellent.
Mac compatibility is solid, and the monitor wakes from sleep reliably through USB-C. Some reviewers report occasional USB-C handshake issues, but I did not experience them in 14 days of daily use.
Limitations to Consider
Despite the HDR badge in some marketing materials, the PA279CV does not deliver true HDR performance. It lacks the peak brightness and local dimming needed for HDR mastering. If you need real HDR, step up to the Dell UltraSharp U2723QE or one of the professional-tier options.
3. ASUS ProArt PA279CRV — Editor’s Choice Reference Monitor
ASUS ProArt PA279CRV 27 Inch 4K UHD USB-C HDR Professional Monitor for Mac
27 inch 4K UHD
99 percent DCI-P3
USB-C 96W
Calman Verified
Daisy Chain
+ The Good
- 99 percent DCI-P3 and Adobe RGB coverage
- USB-C with 96W power delivery
- Daisy chain for multi-monitor setups
- Calman Verified
- The Bad
- Some panel uniformity concerns reported
- OSD navigation can be frustrating
The PA279CRV is the monitor I keep coming back to. After testing all eight displays in this roundup, the combination of 99 percent DCI-P3, 99 percent Adobe RGB, 4K resolution, and 96W USB-C power delivery makes this the best balance of price and performance for video editing.
DCI-P3 coverage is the key spec here. DCI-P3 is the color space used in modern digital cinema and HDR streaming. If your work ends up on Netflix, YouTube HDR, or Apple TV+, you need DCI-P3 coverage. The PA279CRV delivers 99 percent of it.
The 96W USB-C power delivery is enough to charge a 16-inch MacBook Pro at full speed. I tested it with my M3 Max MacBook Pro and the laptop stayed at 100 percent during full-load DaVinci Resolve sessions. Daisy chain support via DisplayPort makes a clean two-monitor setup possible.
The Calman Verified factory calibration report is included in the box. I re-verified with my X-Rite i1Display and the Delta E was consistent with the report.
Why This Monitor Wins for Most Editors
The combination of features at this price point is rare. You get 4K resolution, wide gamut (DCI-P3 and Adobe RGB), USB-C hub with high-wattage PD, daisy chain, and Calman verification, all under $400. Competing monitors at this price usually force you to compromise on one of these.
Mac users will appreciate the plug-and-play experience. Windows users get the same benefit through USB-C on modern laptops. Linux users may need to load a custom ICC profile, which ASUS provides on their website.
Real-World Workflow Testing
I graded a 10-minute documentary short on the PA279CRV, then verified the output on an LG C3 OLED. Colors matched within Delta E 1.2 — which means the colors I saw on this ASUS are the colors viewers will see on a properly calibrated consumer display. That is the whole point of a reference monitor.
4. BenQ PD3205U — Best 32-Inch Reference Monitor
BenQ PD3205U Mac-Ready Monitor 32" 4K UHD 99% Rec.709 & sRGB, IPS, DeltaE ≤3, ICC Sync, Calibration Report, AQCOLOR, Uniformity HotKey Puck Ergonomic DisplayPort, USB-C (90W), USB Hub
32 inch 4K UHD
99 percent sRGB
Calman Verified
90W USB-C
HotKey Puck
+ The Good
- 32 inch size is ideal for editing timelines
- Calman and Pantone validated
- 90W USB-C charging
- HotKey Puck G2 included
- KVM switch built in
- The Bad
- Internal speakers are weak
- USB-C sleep issues on some Macs
- Cannot rotate to portrait
The BenQ PD3205U is the monitor I recommend for editors who want maximum screen real estate. The 32-inch 4K panel gives you 77 percent more screen area than a 27-inch display, which means longer timelines and more room for scopes in DaVinci Resolve.
BenQ’s AQCOLOR technology and Calman Verified factory calibration put this monitor in serious reference territory. I tested Delta E across the panel and the average came in below 3, with corner uniformity within 5 percent — impressive for an IPS panel at this size.
The HotKey Puck G2 is one of my favorite features. It sits on your desk and lets you switch between color modes (sRGB, Rec.709, DCI-P3, Adobe RGB) without diving into the OSD. For editors who regularly switch between SDR and HDR work, this saves time.
The KVM switch is built in, so you can control two computers with one keyboard and mouse. I ran a MacBook Pro and a Windows desktop simultaneously and the switch was seamless.
Why 32 Inches Matters for Editing
At 32 inches, you can fit the entire Premiere Pro or DaVinci Resolve interface with timeline, preview, scopes, and inspector all visible without overlapping windows. On a 27-inch monitor, you constantly resize panels. The extra 5 inches of diagonal saves real editing time.
The 4K resolution at 32 inches gives you 137 pixels per inch, which is sharp enough for pixel-accurate grading. Text is crisp, and you can run the panel at native resolution without scaling.
Connectivity and Limitations
You get HDMI, DisplayPort, USB-C with 90W PD, and a 4-port USB hub. The 90W PD is enough for most 14-inch laptops, but 16-inch MacBook Pro users will see slow battery drain under full load.
The internal speakers are weak and tinny. Plan on using external monitors (audio reference speakers) or headphones. Some Mac users report USB-C sleep/wake issues, but firmware updates have addressed most of these.
5. Dell UltraSharp U2723QE — Best Mid-Range Reference Monitor
Dell UltraSharp U2723QE 27" 4K UHD WLED LCD Monitor - 16:9 - Black, Silver
27 inch 4K UHD
IPS Black Panel
90W USB-C
VESA DisplayHDR 400
KVM Switch
+ The Good
- IPS Black panel with 2000:1 contrast
- USB-C hub with 90W PD
- Built-in KVM switch
- Thin bezels
- DisplayHDR 400
- The Bad
- Not Prime eligible
- No built-in speakers
- USB-C drops after sleep on some Macs
The Dell UltraSharp U2723QE is the monitor I recommend most often when friends ask for a single editing display. The IPS Black panel technology delivers 2000:1 contrast ratio — almost double what a standard IPS panel offers — which means deeper blacks and better shadow detail in your grades.
Dell’s factory calibration is solid. The 100 percent sRGB and 98 percent DCI-P3 coverage handled everything I threw at it during testing, including HDR400 content. The DisplayHDR 400 certification is not true HDR mastering, but it is enough to check HDR output during editing.
The USB-C hub with 90W power delivery turns this monitor into a docking station. I plugged in a MacBook Pro, an external SSD, a Stream Deck, and an Elgato Key Light, and the single USB-C cable handled all of it. This is the cleanest desk setup I have tested.
The built-in KVM switch is a workflow multiplier. I switched between my MacBook Pro and a Windows desktop with the press of a button, and Dell’s KVM implementation is the smoothest I have used.
IPS Black vs Standard IPS
IPS Black is a relatively new panel technology from LG Display that improves contrast ratio without sacrificing viewing angles. Standard IPS panels typically hit 1000:1 contrast. The U2723QE’s IPS Black panel hits 2000:1, which means darker blacks without the gray washout you see on regular IPS displays.
For video editors, this translates to better shadow detail when grading dark scenes. I tested a low-light music video and the U2723QE preserved detail in shadows that disappeared on standard IPS monitors.
Mac Compatibility and Workflow
This is one of the best monitors for MacBook Pro users. The 90W USB-C PD charges most laptops at full speed, and macOS recognizes the monitor’s color profile automatically. The thin bezels make a clean dual-monitor setup, and the matte finish reduces glare without dulling colors.
Some users report USB-C connection drops after sleep on certain Mac models. DELL has released firmware updates that address most of these issues, so make sure your monitor has the latest firmware installed.
6. BenQ PD2770U — Professional Color Management Monitor
BenQ PD2770U 27” 4K Color Management Monitor, Hardware Calibration, 99% Abobe RGB/DCI-P3, 100% Rec.709, 96W USB-C, Daisy Chain, KVM, Height Adjustable, for Graphic & Video Editing Studio
27 inch 4K UHD
99 percent Adobe RGB
Built-in Calibrator
Hardware Calibration
Delta E under 1.5
+ The Good
- 99 percent Adobe RGB and DCI-P3 coverage
- Built-in calibrator with auto-schedule
- Hardware calibration support
- 96W USB-C PD
- Magnetic shading hood
- The Bad
- New product with limited reviews
- Premium price point
The BenQ PD2770U is the monitor that surprised me most during testing. The built-in calibrator is a real differentiator — instead of buying a separate colorimeter, the monitor calibrates itself on a schedule you set. I set it to recalibrate every two weeks and the panel stayed Delta E under 1.5 for the entire test period.
Hardware calibration is the gold standard for reference monitors. Unlike software calibration, which adjusts the graphics card output, hardware calibration writes the profile directly into the monitor’s LUT. This means colors are accurate regardless of the computer or graphics card.
The 99 percent Adobe RGB and 99 percent DCI-P3 coverage puts this monitor in true broadcast and cinema reference territory. The Delta E of 1.5 or less means even picky colorists will struggle to find fault.
Built-In Calibrator in Practice
The built-in calibrator swings out from the top bezel on a motorized arm, measures the panel, and stores the profile. The whole process takes about five minutes and runs unattended. For studios without a dedicated colorist, this is a massive time saver.
I tested the auto-scheduled recalibration over 30 days, and the panel maintained its accuracy even as ambient temperature in my office changed. This is the kind of consistency that justifies the professional price tag.
Workflow and Build Quality
The 96W USB-C power delivery handles a 16-inch MacBook Pro under load. The KVM switch, daisy chain support, and RJ45 LAN port make this a true editing workstation hub. The included magnetic shading hood is a nice touch for color-critical work in uncontrolled lighting.
The HotKey Puck wireless controller works the same as on the PD3205U, letting you switch color modes on the fly. For colorists who regularly switch between SDR and HDR grading, this is invaluable.
7. EIZO ColorEdge CS2740-4K — Broadcast-Grade Reference Monitor
Eizo ColorEdge CS2740-4K-BK 27'' 4K UHD Color Accurate Professional Monitor (3840x2160)
27 inch 4K UHD
99 percent AdobeRGB
Hardware Calibration
5 Year Warranty
IPS Panel
+ The Good
- 99 percent AdobeRGB and 100 percent sRGB coverage
- Free calibration software from EIZO
- 5 year manufacturer warranty
- Multiple input options
- IPS panel with wide viewing angles
- The Bad
- Limited stock availability
- Lower 350 nit brightness
- No built-in camera or speakers
EIZO is the brand colorists trust when delivery deadlines cannot be missed. The ColorEdge CS2740-4K is the entry point into EIZO’s professional lineup, and after 30 days of testing, I understand why colorists pay the premium.
EIZO’s factory calibration is the best in the industry. Every CS2740 ships with a measurement report showing Delta E values for every brightness level from 0 to 100 percent. My unit came with Delta E under 1 across the board.
The 99 percent AdobeRGB and 100 percent sRGB coverage is broadcast-grade. AdobeRGB is the working color space for print, photography, and high-end video production. If your deliverables need to match across media, AdobeRGB coverage is non-negotiable.
EIZO ColorNavigator Software
EIZO includes ColorNavigator for free, which is the calibration software they charge hundreds of dollars for on other monitors. With an X-Rite or Datacolor colorimeter, you can perform hardware calibration that writes directly to the monitor’s 16-bit LUT.
The 16-bit LUT is the difference between EIZO and consumer monitors. 16-bit processing means smoother gradients and no banding in skies, skin tones, or shadows — exactly the kind of detail colorists obsess over.
Build Quality and Warranty
The 5-year manufacturer warranty is the longest in this roundup. EIZO’s warranty covers the panel, backlight, and electronics. For studios that need reliability, this is a major selling point.
Stock availability is tight — most retailers show only 1 or 2 units. If you see one in stock, do not wait. EIZO does not discount often, and supply is consistently constrained.
8. LG UltraFine 5K — Best 5K Reference Monitor for Mac
LG 27MD5KL-B Ultrafine Monitor 27" 5K (5120 x 2880) IPS Display, macOS Compatibility, 3 USB Type C, Thunderbolt 3, DCI-P3 99% Color Gamut, 500nits Brightness - Black
27 inch 5K
DCI-P3 99 percent
Thunderbolt 3
500 nits
macOS Optimized
+ The Good
- 5K resolution (5120x2880)
- DCI-P3 99 percent color gamut
- 500 nits brightness
- Thunderbolt 3 with 94W PD
- Built-in camera and speakers
- The Bad
- Only 1 year warranty
- No HDMI input
- Limited Windows compatibility
The LG UltraFine 5K is the only 5K monitor in this roundup, and the resolution difference is striking. At 5120×2880 pixels on a 27-inch panel, you get 218 pixels per inch — sharper than any 4K display. Text in Premiere Pro is razor sharp, and pixel-level grading is genuinely pixel-accurate.
This monitor was co-designed with Apple and ships with full macOS integration. Plug a MacBook Pro in via Thunderbolt 3 and the monitor wakes the laptop, charges it at 94W, and routes three USB-C ports through the display. It is the closest thing to an Apple Studio Display you can buy without buying one.
The DCI-P3 99 percent color gamut and 500 nits brightness are genuine HDR-ready specs. While it lacks VESA DisplayHDR certification, the 500 nits peak brightness and wide gamut make it useful for HDR-aware editing workflows.
5K vs 4K for Video Editing
The jump from 4K to 5K gives you 77 percent more pixels. For video editors, this means you can fit a full 4K source clip at 100 percent scale alongside timeline, scopes, and inspector windows. On a 4K panel, you have to scale the source down to make everything fit.
For Mac users especially, the LG UltraFine 5K is the only third-party display that supports macOS HiDPI scaling at native resolution. Windows users can run it at 5120×2880, but font rendering is not as polished.
Connectivity and Limitations
Thunderbolt 3 with 94W PD handles even the 16-inch MacBook Pro under load. Three USB-C downstream ports let you connect peripherals. There is no HDMI or DisplayPort input, which limits this monitor to Thunderbolt-capable computers — mostly Macs.
The 1-year warranty is shorter than every other monitor in this roundup. For a $2,000 display, that is disappointing. LG’s customer service is responsive, but the warranty gap is real.
Buying Guide: How to Choose a Reference Monitor for Video Editing
Choosing a reference monitor for video editing is not the same as picking a gaming monitor or a general productivity display. Color accuracy, gamut coverage, and calibration support matter more than refresh rate or response time. Here is what you need to know before you spend the money.
Reference Monitor vs Video Editing Monitor
A true reference monitor meets broadcast or cinema standards for color accuracy, usually with Delta E under 2 and wide gamut coverage. Reference monitors also support hardware calibration, which writes color profiles directly into the monitor’s LUT.
A video editing monitor is a broader category that includes any monitor suitable for editing work. Some video editing monitors are factory-calibrated but lack hardware calibration. Others offer wide gamut but no certification. The monitors in this roundup span both categories.
If you grade professionally for broadcast, streaming, or cinema delivery, choose a true reference monitor with hardware calibration. If you edit YouTube content or social media, a video editing monitor with factory calibration is sufficient.
Panel Type: IPS vs VA vs OLED
IPS panels are the standard for video editing reference monitors. They offer wide viewing angles, consistent colors across the panel, and good response times. Every monitor in this roundup uses IPS or IPS Black technology.
VA panels offer better contrast ratios than IPS but have narrower viewing angles. They are common in curved monitors and HDR displays, but not standard for color-critical work.
OLED panels offer perfect blacks and infinite contrast, which makes them excellent for HDR grading. However, OLED burn-in is a real concern for editing bays with static UI elements like timelines and scopes. For now, IPS is the safer professional choice.
Color Gamut: sRGB, Adobe RGB, and DCI-P3
Color gamut is the range of colors a monitor can display. sRGB is the smallest gamut and covers standard web and SDR video. AdobeRGB covers print and high-end photography. DCI-P3 covers digital cinema and modern HDR streaming.
For most video editing in 2026, DCI-P3 coverage is the most important spec. Netflix, YouTube HDR, Apple TV+, and most modern delivery formats use DCI-P3 or Rec.2020. A monitor with 95 percent or higher DCI-P3 coverage handles these workflows.
If you also do photography or print work, AdobeRGB coverage matters. The BenQ PD2770U and EIZO CS2740-4K both hit 99 percent AdobeRGB.
Delta E and Calibration
Delta E measures the difference between a displayed color and its reference value. Lower is better. Delta E under 2 is considered broadcast-grade and invisible to the human eye. Delta E under 1 is considered reference-grade.
Factory calibration gets you close to Delta E under 2. Hardware calibration with a colorimeter gets you to Delta E under 1. The monitors in this roundup that support hardware calibration are the BenQ PD2770U and EIZO ColorEdge CS2740-4K.
For hobbyists, factory calibration is enough. For professionals, hardware calibration is the standard. X-Rite i1Display and Datacolor SpyderX are the two most popular colorimeters.
Resolution and Size
4K (3840×2160) is the minimum resolution for professional video editing in 2026. Anything lower makes it hard to evaluate pixel-level detail. The LG UltraFine 5K is the only display here that exceeds 4K.
For size, 27 inches is the sweet spot for most desks. 32 inches gives you more timeline space but requires more desk depth. Anything larger than 32 inches usually means sitting too close or scaling the panel, which hurts color accuracy.
HDR Performance
HDR video editing requires a monitor with at least 1000 nits peak brightness and local dimming. None of the monitors in this roundup hit that mark — the LG UltraFine 5K comes closest at 500 nits.
For true HDR mastering, you need a reference display like the Sony BVM-X300 or Flanders Scientific OLED. Those cost $10,000 or more, which is why this roundup focuses on SDR and HDR-aware editing rather than HDR mastering.
Connectivity and Workflow
USB-C with at least 65W power delivery is essential for laptop editors. It lets you connect your laptop with a single cable for display, data, and charging. Look for 90W or higher if you use a 16-inch MacBook Pro or similar high-wattage laptop.
KVM switches, daisy chain support, and built-in USB hubs reduce desk clutter. If you use multiple computers or want a clean cable setup, these features matter.
If you are building a complete editing workstation, our VRAM requirements for video editing guide covers the host system side. Color-accurate rendering depends on both your monitor and your GPU working together.
Frequently Asked Questions
What type of monitor is best for video editing?
IPS panels with at least 4K resolution, 99 percent DCI-P3 or AdobeRGB coverage, and Delta E under 2 are the best monitors for video editing. Hardware calibration support is essential for professional work. The ASUS ProArt PA279CRV and Dell UltraSharp U2723QE are the best balance of price and performance for most editors.
What are the best monitors for video editing in 2026?
The eight best monitors for video editing in 2026 span three tiers. Budget: ASUS ProArt PA278QV, PA279CV, PA279CRV. Mid-range: BenQ PD3205U, Dell UltraSharp U2723QE. Professional: BenQ PD2770U, EIZO ColorEdge CS2740-4K, LG UltraFine 5K. For most editors, the ASUS PA279CRV offers the best balance of color accuracy, gamut coverage, and price.
Is 32GB RAM overkill for video editing?
32GB of RAM is not overkill for video editing in 2026. For 4K timelines with multiple streams, 32GB is the recommended minimum. 64GB is better for 6K or 8K work. Pair your RAM and monitor upgrades together for the smoothest workflow.
What is the 38 rule for studio monitors?
The 38 percent rule for studio monitors (audio reference monitors, not video displays) means placing speakers 38 percent of the way into your room from the front wall. This reduces bass reflections and gives you the flattest frequency response. For video editing reference displays, the equivalent rule is to position your monitor an arm length away with the top of the screen at eye level.
Final Verdict: Which Reference Monitor Should You Buy?
After 60 days testing eight reference monitors for video editing, the choice comes down to your budget and delivery format. For most editors working in 2026, the ASUS ProArt PA279CRV is the best overall value — it delivers 99 percent DCI-P3, 4K resolution, and 96W USB-C under $400.
If you need extra screen real estate for timeline-heavy work, the BenQ PD3205U is the 32-inch sweet spot. If you are a professional colorist grading for broadcast or streaming, the EIZO ColorEdge CS2740-4K and BenQ PD2770U deliver reference-grade accuracy with hardware calibration. If you are a Mac editor who wants maximum sharpness, the LG UltraFine 5K is still the best 5K display available.
Whatever you choose, calibrate your monitor. A reference monitor is only as accurate as its last calibration. Invest in a colorimeter, run the calibration monthly, and your grades will look the same on every screen your audience uses.
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