Picking the right camera used to mean spending a fortune, but that is no longer true. After testing dozens of models over the past year, our team identified the best budget mirrorless cameras that deliver real-world performance without emptying your wallet. Whether you are upgrading from a smartphone, starting a YouTube channel, or just want sharper family photos, there is a solid option waiting for you under $900.
The mirrorless category has matured fast. Today’s sub-$900 bodies pack features that cost $2000 just five years ago: real-time eye autofocus, 4K oversampled video, in-body stabilization, and wireless sharing. We spent 60+ hours comparing specifications, reading verified buyer feedback, and pushing these cameras through real photo scenarios. The eight models below represent the strongest values across beginner-friendly, vlogging-focused, and enthusiast-ready categories.
Before you buy, think about what matters most. Battery life or flip screen? Sensor size or weight? Body-only pricing or a kit lens that gets you shooting today? We break all of that down in the buying guide at the end, with help from our own testing and the most common questions raised on photography forums. If you want better tools for content creation, our guide to mirrorless cameras for video creation is a useful companion read.
Top 3 Picks for Best Budget Mirrorless Cameras in 2026
Best Budget Mirrorless Cameras in 2026: Quick Comparison
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1. Sony Alpha a6400 – Compact APS-C Powerhouse With Class-Leading Autofocus
+ The Good
- Real-time Eye AF locks onto humans and animals
- Compact 10.3 oz body ideal for travel
- 425-point hybrid AF covers nearly the entire frame
- 11fps burst with continuous AF/AE tracking
- The Bad
- No in-body image stabilization
- Sony menu system has a learning curve
I took the Sony a6400 on a three-week trip through mixed lighting conditions, and the autofocus was the single biggest reason I came home with sharp shots. The real-time Eye AF tracked my dog running across a beach at 11fps without a single miss. For parents photographing kids or sports, that focus system alone justifies the price tag.
The 24.2MP APS-C sensor produces clean files up to ISO 6400, and Sony’s color science has improved noticeably in recent firmware. Dynamic range holds up well for landscape work, especially when recovering shadows in RAW. The 180-degree flip screen tilts up for selfies and vlogs, and the magnesium alloy body feels premium despite weighing just 10.3 ounces.
4K video uses full pixel readout with no binning, which gives you sharp footage without moiré. The lack of in-body stabilization is the biggest compromise. Handheld video at 50mm shows visible shake, so plan on stabilized lenses or a gimbal for serious run-and-gun work. Battery life lands around 410 shots per charge, which is fine for a full day of casual shooting.
Lens selection is the other consideration. Sony’s APS-C native lens lineup is smaller than the full-frame E-mount range, but third-party manufacturers like Sigma and Tamron have filled the gaps. We paired it with a Sigma 30mm f/1.4 for street photography and got results that rival cameras costing twice as much.
Who Should Buy the Sony a6400
This is the right pick if autofocus reliability matters more than stabilization. Wildlife shooters, sports parents, and travel photographers who shoot handheld in good light will love it. Vloggers on a budget can pair it with a stabilized lens and a small gimbal, though the ZV-E10 below might suit you better.
Who Should Skip the Sony a6400
Skip it if you need in-body stabilization for handheld video, or you prefer a simpler menu system for casual use. The R50 and ZV-E10 both offer more beginner-friendly controls. Also check resale value and lens availability in your region before committing, since Sony’s APS-C lineup can feel limited compared to Canon’s RF system.
2. Canon EOS R50 – Best Value Mirrorless for Beginners and Vloggers
Canon EOS R50 Mirrorless Camera with 18-45mm Lens (5811C012) Bundle
24.2MP APS-C
4K oversampled
Vertical video
+ The Good
- Dual Pixel AF II tracks subjects reliably
- 4K oversampled from 6K looks excellent
- Vari-angle touchscreen ideal for vlogging
- Lightweight at 2 pounds with bundle included
- The Bad
- No in-body image stabilization
- Buffer fills quickly with continuous bursts
The Canon R50 struck us as the most balanced beginner camera in this price range. Canon’s color science is genuinely better out of camera than most competitors, and the Creative Assist mode walks new shooters through settings with plain-language explanations. A first-time user can hand it to their grandparent and still get great photos in Auto mode.
The autofocus system uses Canon’s Dual Pixel CMOS AF II, which now competes with Sony in real-world tracking. During testing, it held focus on subjects moving toward the camera at moderate speed, and face/eye detection worked reliably even with glasses on. The vari-angle screen flips out the side, which is a major win for vloggers compared to the R100’s fixed display.
Video quality is where the R50 really shines for the price. It oversamples 4K from a 6K capture, which means sharp footage without the softness you get from line-skipped 4K on cheaper cameras. Vertical video mode is built in for social media creators, and the included 64GB card plus camera bag bundle saves roughly $80 versus buying those separately.
The kit lens (RF-S 18-45mm) is fine for everyday use but slow at f/6.3 on the long end. We recommend adding the RF 50mm f/1.8 STM for portraits, which expands the camera’s capability without breaking the budget. Battery life is about 370 shots per charge, and USB-C charging works with most modern power banks.
Who Should Buy the Canon R50
Pick the R50 if you are buying your first interchangeable lens camera and want the smoothest learning curve. Vloggers who want vertical video baked in will appreciate the social-media-first features. Anyone planning to grow into Canon’s RF lens system should start here.
Who Should Skip the Canon R50
Skip it if you shoot a lot of fast action, since the buffer fills after roughly 7 RAW shots in burst mode. Also look elsewhere if you need in-body stabilization for handheld video. Sports and wildlife specialists might prefer the Sony a6400’s larger buffer and more mature tracking system.
3. Sony ZV-E10 – Purpose-Built Vlogging Camera Under $900
Sony ZV-E10 APS-C Mirrorless Camera with 16-50mm Lens Black
24.2MP APS-C
USB live streaming
3-capsule mic
+ The Good
- Side-flip screen perfect for self-recording
- Single USB cable streams to a computer
- Product Showcase Mode shifts focus automatically
- 3-capsule directional mic with windscreen
- The Bad
- No electronic viewfinder
- Battery drains quickly during video
- Bundled kit lens lacks optical stabilization
The ZV-E10 is the camera I recommend most often to first-time YouTubers. It is built around the vlogging workflow rather than adapted from a stills camera. The side-flip screen sits out of the way of external mics, the dedicated record button is oversized, and the Product Showcase Mode transitions focus from face to object with a tap.
Live streaming is where this camera pulls ahead of everything else in its class. Plug in a single USB-C cable and your computer sees the ZV-E10 as a webcam with no extra software needed. I tested it with OBS and Zoom on both Windows and Mac, and it just works. The included 3-capsule directional microphone with windscreen is also better than the built-in mics on most cameras in this price range.
4K video is oversampled from 6K, which gives you sharp footage that holds up even after YouTube compression. Real-time Eye AF tracks you as you walk and talk, and the Background Defocus button toggles between f/1.8 and f/8 with a single press. The lack of a viewfinder is the biggest compromise, since you have to compose using the LCD in bright outdoor light where glare becomes a real issue.
Battery life is the other weak spot. You will get around 80 minutes of continuous 4K recording, which is fine for a typical vlog session but not a full day of content. We carry two extra NP-FW50 batteries ($20-$30 each) to cover a shoot day. The kit lens (16-50mm) lacks optical stabilization, so plan on a stabilized E-mount lens or a small gimbal for handheld walking shots.
Who Should Buy the Sony ZV-E10
This is the clearest choice for vloggers, streamers, and YouTubers buying their first dedicated camera. The single-cable streaming setup alone saves hours compared to capture-card workarounds. Anyone who values video-first features over viewfinder-based photography should pick this one.
Who Should Skip the Sony ZV-E10
Skip it if you primarily shoot stills or want a viewfinder for outdoor composition. Photographers focused on portraits, landscapes, or wildlife will find the Sony a6400 or Canon R50 better fits. Also consider the Canon R50 if you want a simpler UI and more beginner-friendly menu structure.
4. Canon EOS R100 – Cheapest Way Into Canon’s RF System
Canon EOS R100 Mirrorless Camera with RF-S 18-45mm Lens Bundle
24.1MP APS-C
4K/24p
RF-S 18-45mm kit
+ The Good
- Affordable entry into Canon RF mount
- Excellent JPEG color science straight from camera
- Dual Pixel AF with 143 zones
- Compact and easy to carry
- The Bad
- 4K video capped at 24fps
- Fixed rear screen not articulating
- Slow f/4.5-6.3 kit lens aperture
The Canon R100 is the lowest-priced way to get into Canon’s RF mirrorless system. At around $599 with the kit lens, it undercuts the R50 by $200 and the a6400 by $200. For buyers who prioritize future lens compatibility over bleeding-edge features, that price gap matters.
Image quality is essentially identical to the R50, since they share the same 24.1MP APS-C sensor. JPEG colors look great straight out of camera with minimal editing, which is a Canon strength. Dual Pixel autofocus is fast for static subjects but lacks the subject detection AI found in the R50. I found it locked focus reliably for portraits but struggled a bit with unpredictable subjects.
The fixed rear screen is the biggest compromise versus the R50. Without articulation, low-angle and high-angle shots require getting creative with positioning. Vloggers should look at the R50 or ZV-E10 instead. 4K video is also limited to 24fps, which gives footage a cinematic feel but limits smooth motion for action or sports.
The included RF-S 18-45mm kit lens is small, light, and stabilized. Image quality is decent at the wide end but soft at f/6.3 in low light. For indoor portraits, add the RF 50mm f/1.8 STM. Build quality is solid despite the plastic-heavy construction, and the electronic viewfinder is genuinely useful in bright light where the rear LCD washes out.
Who Should Buy the Canon R100
Pick the R100 if you want the lowest cost of entry into Canon’s RF mount and plan to invest in lenses over time. It is also great for snapshot photography, family events, and beginners who do not need vlogging features. Anyone buying their first mirrorless system on a tight budget should start here.
Who Should Skip the Canon R100
Skip it for vlogging, video work, or any scenario needing a flip screen. Also look elsewhere if 4K/30p matters. The R50 costs $200 more but adds an articulating screen, vertical video, and improved subject detection AF. For pure vlogging the ZV-E10 is the better pick.
5. Sony Alpha A6100 – Fastest Autofocus in Its Price Class
Sony Alpha A6100 Mirrorless Camera with 16-50mm Zoom Lens, Black (ILCE6100L/B)
24.2MP APS-C
0.02s AF
4K UHD video
+ The Good
- World's fastest AF at 0.02 seconds
- Real-time Eye AF for humans and animals
- Compact 16 oz body
- EOS-compatible EVF for bright conditions
- The Bad
- EVF quality is grainy and low-resolution
- Sony menu system requires menu diving
- No in-body image stabilization
Sony claims 0.02-second autofocus speeds on the A6100, and our testing backed that up. It locked onto subjects faster than every other camera in this roundup at the same price. For action photography where the difference between 0.02s and 0.05s matters, this camera is the clear winner.
The 24.2MP APS-C sensor delivers the same image quality as the more expensive a6400 in most situations. Real-time Eye AF works for both humans and animals, which is a feature you usually have to pay $200-$300 more for. Touch tracking is initiated with a single tap on the LCD, which is intuitive for smartphone converts.
The electronic viewfinder is the biggest compromise. It is grainy and low-resolution compared to the a6400, which uses a higher-quality OLED panel. In bright outdoor conditions the EVF helps with composition, but you will not love the image preview quality. The rear LCD tilt mechanism also only flips up, not out to the side, limiting vlogging angles.
Wi-Fi and Bluetooth are included for wireless transfer to smartphones, although the Sony app remains slower and less reliable than Canon’s. Battery life is rated at 420 shots, though we got closer to 350 in real-world mixed shooting. The included 16-50mm kit lens is fine for daylight but soft at the telephoto end. Upgrade to the Sigma 30mm f/1.4 for better low-light results.
Who Should Buy the Sony A6100
This is the camera for buyers who want class-leading autofocus without stepping up to the a6400. Parents photographing fast kids, casual sports, and pet photographers will love the tracking reliability. Anyone needing fast AF on a Sony budget should pick this one.
Who Should Skip the Sony A6100
Skip it if the EVF quality matters for outdoor composition, or you need a flip-out screen for vlogging. The a6400 fixes both issues for around $50 more. Also consider the R50 for a simpler menu system and better integrated mobile app experience.
6. Panasonic LUMIX G85 – Micro Four Thirds With 5-Axis IBIS and Weather Sealing
+ The Good
- Outstanding 5-axis in-body stabilization
- Weather-sealed body and kit lens
- 4K UHD video recording
- 30fps burst with electronic shutter
- The Bad
- 16MP sensor is lower resolution than APS-C rivals
- 4K video has a slight crop factor
- Smaller Micro Four Thirds lens ecosystem than Sony/Canon
The Panasonic G85 stands out for reasons that go beyond megapixel counts. Its 5-axis dual image stabilization is genuinely best-in-class at this price point, and the weather-sealed body means you can shoot in rain or dust without panic. For outdoor photographers who do not want to baby their gear, this matters more than the headline sensor resolution.
The 16MP Micro Four Thirds sensor is smaller than the APS-C sensors in most competitors, which means slightly less detail and weaker high-ISO performance. Real-world images still look excellent up to ISO 1600, and even ISO 6400 is usable for web-sized output. The smaller sensor also makes the entire system more compact, which is a real plus for travel.
4K video at 30fps is solid for the price, though there is a slight 1.1x crop factor you should know about. The tilt-and-swivel screen is a major plus for video work, and the included external microphone jack plus headphone jack (via USB adapter) make it more video-capable than most competitors. 4K Photo mode extracts 8MP stills from video at 30fps, which is useful for action sequences.
The Micro Four Thirds lens ecosystem is smaller than Sony E or Canon RF, but Panasonic and Olympus have built an extensive lineup together. You can find wide-aperture primes like the Panasonic 25mm f/1.7 for under $300, which is excellent value. Burst shooting at 30fps with electronic shutter is impressive, though autofocus tracking is not as refined as Sony’s.
Who Should Buy the Panasonic G85
This is the right pick for outdoor photographers, hikers, and travelers who need weather sealing and IBIS without paying Sony A7C prices. Vloggers who want in-body stabilization and external mic support should also consider it. Anyone who values ergonomics and physical controls over sensor size will appreciate this camera.
Who Should Skip the Panasonic G85
Skip it if you need maximum resolution for large prints or extensive cropping. APS-C rivals like the a6400 and R50 offer more megapixels and better high-ISO performance. Pure stills photographers who do not need weather sealing might find the Z50 or a6400 better fits.
7. Nikon Z50 – DX-Format Mirrorless With 209-Point AF
Nikon Z50 DX-Format Mirrorless Camera Body with NIKKOR Z DX 16-50mm f/3.5-6.3 VR Lens – 1633B
20.9MP DX
209-point AF
Flip-down screen
+ The Good
- Excellent low-light ISO performance
- 209-point hybrid AF system
- Compact 2.2 lb body with kit lens
- User-friendly Nikon menus
- The Bad
- Lower battery life compared to DSLRs
- Limited native DX-format lens lineup
- Flip-down screen not ideal for vloggers
The Nikon Z50 is a refreshing option in a market dominated by Sony and Canon. Its 20.9MP DX-format sensor delivers excellent dynamic range, and Nikon’s color science remains a favorite for portrait and landscape photographers. JPEG output looks natural and pleasing without heavy editing.
Autofocus uses a 209-point hybrid system with eye detection that works well for portraits and slow-moving subjects. It is not quite on Sony’s level for fast action, but it tracks reliably for everyday photography. Continuous shooting at 11fps is competitive with the Sony a6400, and the buffer clears reasonably fast with UHS-I cards.
The Z50 body is compact at 14 ounces, and the redesigned Z-mount allows for smaller lenses than Nikon’s older F-system. Native Z-mount DX lenses are limited right now (a wide-angle zoom and a 50-250mm telephoto), but full-frame Z lenses work on the Z50 in DX crop mode. FTZ adapter compatibility lets you mount older Nikon F-mount lenses with full autofocus on most modern designs.
Battery life is the weakest spec here. We measured about 280 shots per charge with mixed use, which trails APS-C rivals. The flip-down screen is great for waist-level shooting but awkward for vlogging since it blocks the tripod mount. The 16-50mm kit lens is stabilized and image quality is decent for general use.
Who Should Buy the Nikon Z50
Pick the Z50 if you are a former Nikon DSLR owner with F-mount lenses or a portrait/landscape photographer who values color science and dynamic range. Anyone who wants a clean, intuitive menu system will appreciate Nikon’s interface. The 90-day renewed warranty makes this a budget-friendly way to enter the Z system.
Who Should Skip the Nikon Z50
Skip it if battery life is critical, or you need a side-flip screen for vlogging. Consider the Sony a6400 for stronger autofocus tracking on moving subjects, or the R50 for vertical video features. Wildlife specialists should also look at Sony’s more mature APS-C lens ecosystem.
8. Sony a5100 – Ultra-Compact Starter Camera With 24.3MP Sensor
Sony a5100 16-50mm Interchangeable Lens Camera with 3-Inch Flip Up LCD (Black)
24.3MP APS-C
Flip-up screen
179-point AF
+ The Good
- Lightest camera in this roundup at 9.92 oz
- Flip-up screen for selfies and vlogging
- 179-point AF covers most of the frame
- Wi-Fi and NFC for quick sharing
- The Bad
- Poor battery life around 300 shots
- No electronic viewfinder
- Overheats during extended video recording
The Sony a5100 is the smallest and lightest camera in this roundup at just under 10 ounces. For buyers who want a true everyday-carry camera that disappears into a jacket pocket, nothing else here comes close. Despite its age, the 24.3MP APS-C sensor delivers image quality that still competes with newer entry-level models.
Autofocus with 179 phase-detection points was state-of-the-art when it launched, and it remains competitive for static subjects. Eye AF tracks reliably for portraits, though it lacks the real-time AI of newer Sony cameras. The flip-up screen is great for selfies and casual vlogging, though vloggers should plan around the lack of an external microphone input.
The a5100’s biggest weakness is video. It records Full HD 1080p at 60fps but overheats during extended sessions, and battery life is poor at around 300 shots. There is also no electronic viewfinder, so outdoor composition relies entirely on the LCD screen, which becomes hard to see in bright sunlight.
The 16-50mm kit lens is mediocre, and we recommend swapping it for the Sony 20mm f/2.8 pancake lens for a true pocketable setup. The touchscreen is largely useless compared to modern smartphones, since it only supports tap-to-focus and not full menu navigation. But for $200-$300 used, the a5100 is hard to beat as a starter camera.
Who Should Buy the Sony a5100
Pick the a5100 if you want the lightest possible mirrorless camera for travel or street photography. It is also a strong budget pick for buyers willing to buy used. Anyone wanting a smartphone-quality compact that takes interchangeable lenses should start here.
Who Should Skip the Sony a5100
Skip it for any serious video work, or if you need modern autofocus features like real-time tracking. Buyers wanting current-generation features should spend a bit more on the a6100 or R50. Also note that the a5100 is being phased out, so long-term accessory support is limited.
What to Look for in a Budget Mirrorless Camera
Buying a budget mirrorless camera comes down to three questions: how you shoot, what you shoot, and how long you want to keep it. Get those right and the specs almost pick themselves. Below is the framework our team uses when advising first-time buyers.
Sensor Size: APS-C vs Micro Four Thirds vs Full-Frame
Budget mirrorless cameras come in three sensor flavors. APS-C, used by Sony and Canon entry-level models, balances image quality and size. Micro Four Thirds, found in Panasonic and Olympus, is smaller but enables more compact bodies with IBIS. Full-frame stays out of budget territory here, but expect to pay $1500+ if you want one.
For most beginners, APS-C hits the sweet spot. The Sony a6400, Canon R50, and Sony ZV-E10 all use APS-C sensors with strong image quality across lighting conditions. Micro Four Thirds makes sense if weather sealing or in-body stabilization matters more than outright resolution.
Autofocus System and Tracking
Modern autofocus is what separates a good camera from a great one. Sony’s Real-time Eye AF on the a6400 and A6100 remains the gold standard for human and animal tracking. Canon’s Dual Pixel AF II on the R50 and R100 is a strong second. If you photograph kids, pets, or any moving subject, prioritize AF performance above most other specs.
Manual focus is becoming rare outside professional models, so AF reliability is now a primary buying factor. Look for cameras with at least 100 AF points and dedicated subject detection modes. The 850-point system on the a6400 is overkill for beginners but ensures accurate tracking even when subjects move unpredictably.
Video Features: 4K Resolution and Frame Rates
If you shoot any video, prioritize 4K oversampling. The Canon R50 and Sony ZV-E10 both pull 4K from 6K capture, which produces noticeably sharper footage than line-skipped 4K. Frame rate matters too: 24fps looks cinematic, while 30fps and 60fps give you smoother motion for action and slow-motion.
For vlogging, an articulating or fully flip-out screen is essential. The Sony ZV-E10 has the best implementation for self-recording since the screen flips out the side without blocking external microphones. The Canon R50’s vari-angle screen is similarly capable. Fixed screens, like on the Canon R100, are deal-breakers for serious vloggers.
In-Body Image Stabilization (IBIS)
IBIS compensates for camera shake and lets you shoot at slower shutter speeds handheld. The Panasonic G85 has the best IBIS in this price range at 5-axis dual stabilization. None of the Sony or Canon APS-C options in this list have IBIS, which forces you to rely on stabilized lenses for handheld video.
If you shoot a lot of handheld video at long focal lengths or in low light, IBIS is worth prioritizing. For stills photographers shooting in good light at moderate shutter speeds, lens stabilization or a tripod is enough. Budget buyers who do not need IBIS can save money by going with the R50 or a6400.
Lens Ecosystem and Long-Term Value
Camera bodies become obsolete every 3-5 years, but lenses last decades. This is why forum regulars always say to invest in lenses, not bodies. Sony E-mount and Canon RF-mount have the largest selection of third-party lenses from Sigma, Tamron, and Tokina. Micro Four Thirds offers a smaller but well-curated lineup from Panasonic and Olympus.
Check that your chosen system has the lenses you will actually need in 5 years. Wildlife shooters need telephotos, portrait shooters need fast primes, and video shooters need silent autofocus lenses. Buying into a system with poor long-term lens availability is the most common mistake first-time camera buyers make, and it shows up in resale value within 2-3 years.
Frequently Asked Questions
What is the best mirrorless camera for a budget?
The Sony Alpha a6400 is our top pick for the best budget mirrorless camera overall, thanks to its class-leading real-time autofocus, 4K video, and compact APS-C body around $790. For pure vlogging under $900, the Sony ZV-E10 is unbeatable with its side-flip screen and USB streaming. Beginners looking for the easiest learning curve should consider the Canon EOS R50, which costs around $849 with bundle.
What’s the best affordable mirrorless camera for beginners?
The Canon EOS R50 stands out as the best affordable mirrorless camera for beginners due to its intuitive Creative Assist modes, vari-angle touchscreen, and Dual Pixel AF II. It also ships with a 64GB card and camera bag in the standard bundle. For buyers on tighter budgets, the Canon EOS R100 at $599 with kit lens gets you into the Canon RF system without sacrificing core image quality.
What is the best budget full-frame mirrorless camera?
None of the cameras in our under-$900 roundup are full-frame, but if you can stretch your budget to $1200-$1500, the Canon EOS R8 and Nikon Z5 are excellent options that frequently appear in broader roundups. Both use full-frame sensors for better low-light performance and shallower depth of field. Most beginners will be better served by an APS-C body and better lenses, since the image quality gap is smaller than the price difference.
Do professional photographers prefer DSLR or mirrorless?
As of 2026, the majority of professional photographers have shifted to mirrorless systems, with Sony, Canon, and Nikon now leading the professional camera market. Mirrorless cameras offer advantages in autofocus, video, and live exposure preview, while DSLRs retain advantages in battery life and optical viewfinder clarity. For new buyers in 2026, mirrorless is the clear recommendation given where manufacturers are investing their lens lineups and firmware updates.
Final Verdict on the Best Budget Mirrorless Cameras
After testing these eight cameras across stills, video, autofocus, and real-world usability, our team landed on a clear winner in each category. The Sony a6400 earns our editor’s choice for the best budget mirrorless camera in 2026 thanks to autofocus performance that rivals cameras costing twice as much. The Canon R50 is the best value pick for first-time buyers who want a smooth learning curve. The Sony ZV-E10 is the obvious choice for vloggers and streamers who need a camera built for video from day one.
Whichever camera you choose, remember that lenses matter more than bodies in the long run. Buy the best body you can afford now, then invest in glass over time. Within a few years, you will have a system that captures the kind of images and video you see from your favorite creators online, without breaking your budget. Use 2026 as the year to refresh your memory and check whether newer models from these manufacturers have changed the value equation before you buy.
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