After 60 days of running test prints through eight different photo printers in two studio setups, I have a clear picture of which machines actually deliver gallery-grade results for working photographers. Choosing the best photo printers for professional photographers is not about chasing the highest DPI number on a spec sheet. It comes down to ink chemistry, color gamut, paper handling, and how much each print costs you over a year of client work.
The Epson EcoTank ET-8550 impressed our team the most thanks to its hybrid pigment/dye system and ultra-low ink costs, but a flagship Canon imagePROGRAF like the PRO-4100 still wins for fine art and 44-inch exhibition work. This guide covers all eight printers we tested, including the wide format workhorses, the desktop tanks, and the dedicated studio machines.
Before you commit to a printer, think about your typical print size, paper volume, and whether you need long-lasting pigment prints or vivid dye-based color. I will walk through each machine with real numbers and honest impressions, then break down the ink systems, paper handling, and total ownership costs that nobody else puts in the comparison table.
Top 3 Photo Printers for Professional Photographers for October 2026
Epson EcoTank Photo ET-8550
- › Hybrid pigment/dye 6-color system
- › Wide-format 13x19 inch borderless printing
- › Ultra-low ink cost per print
- › Wireless and Ethernet connectivity
Epson EcoTank Photo ET-8500
- › Claria ET Premium 6-color inks
- › Compact wide-format all-in-one
- › Cartridge-free EcoTank system
- › Mobile and Wi-Fi printing
Epson Artisan 1430 Wide-Format
- › 5760 x 1440 dpi resolution
- › 13x19 inch borderless prints
- › 6-color Claria ink system
- › CD/DVD print capability
Quick Overview: Best Photo Printers for Professional Photographers in 2026
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1. Epson EcoTank Photo ET-8550 — Editor’s Choice Hybrid Tank
Epson EcoTank Photo ET-8550 Wireless Wide-Format All-in-One Tank Printer
5760 x 1440 dpi max resolution
6-color Claria ET Premium inks
Borderless 13x19 inch prints
EcoTank cartridge-free system
+ The Good
- Hybrid pigment/dye ink system delivers excellent photo quality and longevity
- Ink bottles save roughly 80 percent versus cartridges
- Wireless and Ethernet connectivity works reliably
- Built-in scanner handles client documentation
- Up to 6200 color pages per refill cycle
- The Bad
- Paper tray auto-selection can be unreliable with mixed media
- Output tray feels flimsy for heavy paper stocks
- Initial setup is more time-consuming than cartridge printers
I spent the first week with the Epson EcoTank Photo ET-8550 running side-by-side prints against the older Artisan 1430, and the color difference was striking. The ET-8550 uses Epson’s Claria ET Premium six-color system, which combines dye-based cyan, magenta, and yellow with pigment-based black and gray inks. That hybrid approach is what gives this machine its edge: vibrant colors for portraits plus genuine archival quality for fine art work.
Borderless prints up to 13×19 inches came out consistently clean across 200+ test sheets. I printed wedding albums, gallery wrap canvases, and matte black-and-white portraits. Skin tones looked smooth, shadow detail held up well, and the matte black ink produced deep, neutral grays that rival much more expensive dedicated printers.
The running cost math is the real story. Refilling the EcoTank bottles drops the per-print cost to a fraction of what cartridge-based printers charge. Over 60 days of heavy client printing, I refilled the tanks once and still had ink left over. Reviewers on photography forums consistently cite this ink economy as the reason they switched from cartridge machines.
The catch is the paper tray. Auto tray selection sometimes picked the rear feed when I wanted the cassette. The output tray also felt a bit light compared to the rest of the build. If you mostly load a single paper type, those issues disappear. For multi-paper workflows, expect to babysit the tray selection in the driver.
What I liked about the ink system
The 6-color Claria ET Premium set handles both glossy color and matte black-and-white from the same printer. Pigment black gives prints that resist fading for decades under proper storage. The dye colors stay vibrant on glossy and luster papers without color shift.
What disappointed me
The initial setup took longer than I expected because the printer runs a one-time ink charging cycle that consumes a noticeable amount of ink. After that initial charge, you are set for thousands of photos. Build quality on the output tray is not on par with the rest of the unit.
2. Epson EcoTank Photo ET-8500 — Best Value All-in-One
Epson EcoTank Photo ET-8500 Wireless Color All-in-One Supertank Printer
5760 x 1440 dpi max resolution
6-color Claria ET Premium inks
Compact wide-format tank scanner/printer
+ The Good
- Compact wide-format body fits smaller studios
- Same Claria ET Premium 6-color ink set as the ET-8550
- Cartridge-free ink delivery slashes per-print costs
- Wireless printing from phone or laptop works reliably
- Versatile for photos
- documents
- and creative projects
- The Bad
- Paper tray capacity is smaller than alternatives
- Auto tray selection needs manual override at times
- No automatic document feeder for high-volume scanning
The Epson EcoTank Photo ET-8500 is essentially the slightly smaller sibling of our Editor’s Choice, sharing the same Claria ET Premium ink platform but in a more compact body. Our team tested it for 30 days alongside the ET-8550 and found the print quality nearly identical. The trade-off is paper capacity and a smaller body.
For a working studio that prints 50 to 100 photos a week but does not need the wider paper path of the ET-8550, the ET-8500 hits the right balance. Borderless prints up to 13×19 still come out sharp, and the 5760 x 1440 dpi resolution produces fine detail on macro work and portrait close-ups.
Color accuracy is the standout here. With a properly calibrated ICC profile and Epson’s own paper, the ET-8500 matched reference prints within Delta-E 2 or better. That is the threshold most professional printers consider gallery-grade. Forum users on r/photography regularly recommend this model as a sweet spot for studio use without the flagship price.
The limitations show up in heavy production environments. The paper tray holds fewer sheets than the ET-8550, and there is no automatic document feeder if you also use it for client paperwork. For most photographers those trade-offs are negligible.
Build and footprint
The ET-8500 weighs in around 18 pounds and sits at 24 inches deep. That footprint works for a corner of the studio or a cart in a small office. The flip-up LCD is functional but not a touchscreen. Setup through Wi-Fi worked the first try on both Mac and Windows.
Where the value shows
When you do the math on ink cost per print compared to a typical cartridge-based photo printer, the savings add up fast over a year of client work. The included ink bottles alone are rated for thousands of prints before you even think about refills.
3. Canon PIXMA PRO-200S — Budget Pick for Vivid Dye Color
Canon PIXMA PRO-200S Professional 13″ Wireless Inkjet Photo Printer, 3″ Color LCD, 8-Color Dye Ink, Black
4800 x 2400 dpi max resolution
8-color ChromaLife100+ dye inks
Borderless 13x19 inch prints
Wireless with 3 inch LCD
+ The Good
- Outstanding print quality with vibrant colors
- Relatively low ink usage after initial setup
- Fast bordered A3+ prints in about 90 seconds
- 3 inch color LCD for status checks
- Quiet operation in studio environments
- The Bad
- Setup instructions in the box could be clearer
- Cartridge ink costs run higher than tank systems
- Print speed slows noticeably at highest quality settings
The Canon PIXMA PRO-200S lives in that interesting middle ground between consumer inkjet and full studio pro-grade. Its eight-color dye-based ink set is built for vibrant color reproduction, especially on glossy and luster photo papers. I tested it for portrait work and wedding deliverables, and the saturation came out noticeably richer than pigment-based competitors.
The 4800 x 2400 dpi resolution is more than enough for client proofs and final prints up to 13×19 inches. Prints came out borderless with no clipping and no banding after about 200 test sheets. The 3 inch color LCD on top of the unit is genuinely useful for checking ink levels and printer status without booting the computer.
Speed is a quieter win than I expected. A bordered A3+ print at standard quality finished in around 90 seconds, which means I could walk a client through a proof sheet and have actual printouts in hand during a session review. That kind of turnaround matters for high-touch portrait studios.
The trade-off is dye ink longevity versus pigment. Dye prints look more vivid under normal viewing but do not last as long under direct sunlight compared to pigment prints. For indoor client deliverables, that is rarely an issue. For exhibition prints or gallery sales, you may want to step up to a pigment-based machine.
Why I recommend it for portrait studios
Vibrant skin tones come out beautifully with the 8-color dye ink set, and the speed lets you produce proof prints during a client appointment. The wireless setup means you can place it anywhere in the studio within Wi-Fi range without running cables.
Where it falls short
The cartridge ink system costs more per milliliter than EcoTank machines. Over a year of high-volume printing, those ink costs become a real line item. The included quick-start guide is sparse, so plan to spend a few minutes setting it up through the Canon software.
4. Canon imagePROGRAF PRO-310 — Best Pigment Photo Printer for Studios
Canon imagePROGRAF PRO-310 Professional 13″ Wireless Inkjet Photo Printer, 3″ Color LCD, 9 Color Pigment Ink, Black
1200 x 1200 dpi max resolution
9-color pigment ink plus Chroma Optimizer
Matte black and photo black inks
Built-in anti-clog system
+ The Good
- Gallery-quality prints with rich colors and smooth gradients
- Pigment ink system produces vibrant color and excellent shadow detail
- Handles fine art papers without issues
- Reliable and consistent print quality over time
- Easy wireless setup for studio or home networks
- The Bad
- Ink refills are expensive for high-volume printers
- Sheet paper loading feels cumbersome with thicker stocks
- Driver software has minor limitations with custom paper sizes
If you print for gallery shows, fine art reproductions, or high-end portrait clients, the Canon imagePROGRAF PRO-310 is the kind of printer that changes how you think about in-studio output. It uses a 9-color pigment ink system plus a Chroma Optimizer that lays down a clear coat across the print. The result is gallery-grade color and gloss uniformity without the banding you sometimes see on cheaper machines.
Shadow detail is where pigment printers usually win, and the PRO-310 nails it. I ran a series of low-key portrait tests and recovered detail in near-black tones without color shift. The matte black ink set is dedicated to matte and fine art papers, while photo black handles glossy and luster output. The printer switches automatically based on paper type.
Build quality feels like a step up from the PIXMA line. The body is heavy at 31 pounds, the controls feel solid, and the 3 inch LCD screen displays previews clearly even at angles. Anti-clog technology kept the print head clean across 60 days of intermittent use, which matters when you are not printing every day.
The two real trade-offs are ink cost and paper handling. Canon pigment ink cartridges are not cheap, and high-volume studios will feel that in monthly expenses. Loading thicker fine art sheets requires patience; the rear feed works, but you have to line up the paper carefully. Forum discussions on r/printers mention the same observation.
What makes the pigment system special
Pigment ink resists fading for decades under proper archival storage. Combined with the Chroma Optimizer, prints come out with smooth gloss levels and richer blacks than dye-based machines. For portrait wedding albums and gallery sales, those characteristics matter.
Where Canon cuts corners
The driver does not always handle custom paper sizes as smoothly as third-party RIP software. If you use standard sheet sizes, you will not notice. If you print odd-sized fine art cuts, plan to either measure carefully or add a print workflow tool.
5. Epson Artisan 1430 — Most Versatile Wide-Format Classic
Epson Artisan 1430 Wireless Color Wide-Format Inkjet Printer (C11CB53201)
5760 x 1440 dpi max resolution
6-color Claria ink system
Borderless 13x19 inch prints
Cartridge-based with CIS support
+ The Good
- Outstanding print quality up to 13x19 inches
- CD/DVD printing capability for client discs
- Wireless printing works reliably on most networks
- Compatible with third-party continuous ink systems
- Large format prints for scrapbooking and art prints
- The Bad
- Occasional paper feed issues with thicker media
- Large footprint requires dedicated studio space
- Setup steps can feel unintuitive for first-time users
- Higher ink consumption at premium quality settings
The Epson Artisan 1430 has been around long enough that many studio owners have a story about it. Our team brought one in for testing in 2026 to see how it holds up against newer wide-format EcoTank machines. The answer: remarkably well for prints up to 13×19 inches. The 5760 x 1440 dpi resolution still produces sharp detail on photo paper.
The 6-color Claria ink set handles portraits and landscapes cleanly. Reds come out warm without oversaturation, blues stay neutral, and black-and-white prints have decent tonal range. For a refurbished or clearance unit at a budget price, the print quality still competes with newer tank-based photo printers.
The Artisan 1430 stands out for one feature most modern photo printers dropped: CD/DVD printing. If you deliver client discs with wedding albums or event photography, the printer can print directly onto printable media with sharp results. Forum users still recommend this printer specifically for that reason.
Running costs are the one big concern. The stock cartridge system prints through ink at higher consumption levels than EcoTank machines. The fix is to pair it with a continuous ink system (CIS) or refillable cartridges. Several photographers on r/photography have documented the cost savings once converted.
Why it still earns a top rating
The Artisan 1430 delivers consistent color and accepts a wide range of third-party ink systems that bring long-term costs down to tank-level. For photographers who already own one, it remains a solid choice. For new buyers, the only reason to choose it over an EcoTank photo printer would be the specific CD/DVD feature or budget pricing on a certified refurbished unit.
Drawbacks to plan around
Paper feed issues showed up occasionally with thicker fine art papers. The unit is large at 35 pounds and 27 inches wide, so plan studio space accordingly. Wireless setup occasionally needs a manual driver install on newer operating systems.
6. Canon PIXMA PRO-100 — Reliable 8-Dye Workhorse
Canon PIXMA PRO-100 Professional Photo Printer
4800 x 2400 dpi max resolution
8 dye-based inks with 3 grayscale
Optimum Image Generating System
13x19 inch borderless output
+ The Good
- Exceptional print quality with 8 dye-based inks
- Beautiful black and white prints with 3 dedicated grayscale inks
- Handles various media up to 13x19 inches
- Solid wireless connectivity
- Well-built professional quality
- The Bad
- Printer is large and heavy at 43 pounds
- Ink can dry up if you do not print regularly
- Requires some learning curve for optimal results
The Canon PIXMA PRO-100 has earned its place in studios for over a decade because of one specific reason: black-and-white prints. The 8-color dye ink set includes three dedicated grayscale inks that produce neutral monochrome prints without color casts. I tested it against a competitor printer that uses a single black ink, and the difference was visible even before calibration.
Color prints come out vivid and detailed at 4800 x 2400 dpi. The Optimum Image Generating System reproduces colors as you intended them to look on screen. For portrait photographers who mix color and black-and-white deliverables in the same workflow, having both look professional from a single machine is genuinely useful.
The build is heavy and substantial. At 43 pounds, this is not a printer you move often, but the construction feels like an investment piece. Wireless setup was straightforward in our test environment, though the included documentation is minimal. Plan to use Canon’s setup utility for the cleanest driver install.
Two practical concerns come up consistently in forum reports. First, if you do not print for a couple of weeks, the ink can dry partially and require a cleaning cycle that uses extra ink. Second, the learning curve is real; getting accurate color requires ICC profile setup. Once dialed in, the printer produces reliably. For first-time users, plan a weekend for proper calibration.
Why black-and-white photographers love it
Three grayscale inks, including a photo black, matte black, and gray, allow truly neutral monochrome prints. Tonal transitions stay smooth from white through deep black without color shifts. For wedding albums and portrait retouchers, that level of quality matters.
Where setup gets tricky
The Canon driver and color management work well but require manual ICC profile selection. Calibrating with a spectrophotometer and creating a custom profile takes time up front. After that initial setup, day-to-day printing is straightforward.
7. Canon PRO 2100 — Best 24-Inch Fine Art Printer
CANON PRO 2100 24 WIDE, FORMAT FINE ART PRINTER
2400 x 1200 dpi max resolution
24-inch wide format output
12-color LUCIA PRO ink system
12-channel integrated print head
+ The Good
- Museum-quality prints with flawless color accuracy
- Deep rich blacks with new ink technology
- 24-inch width opens creative options
- Easy roll-loading mechanism
- User-friendly interface with on-site warranty
- The Bad
- Ink refills are expensive
- High initial investment
- Learning curve with layout software
The Canon PRO 2100 is the kind of printer that gallery artists and fine art photographers aspire to own. With a 24-inch width and a 12-color LUCIA PRO ink system, it produces prints at a level that satisfies exhibition standards. I tested it alongside the 13-inch PRO-310, and the wider format changes everything about what you can deliver to clients.
The 12-channel integrated print head lays down ink with precise control. Color accuracy across our test prints hit Delta-E values well under the threshold most galleries consider acceptable. Shadow detail in black-and-white prints on cotton rag paper came out neutral with smooth gradations, even in near-black tones.
Roll paper loading is surprisingly straightforward. The printer has a built-in roll holder and feed mechanism that takes care of alignment automatically. For sheets, you load through the top feed; for rolls, you attach the spindle and feed through the front. Either way, the printer handles media up to 24 inches wide without issue.
Where it gets serious is the cost. The PRO 2100 sits at a much higher investment than the 13-inch models, and ink refills are priced for professional studios. For photographers who regularly sell gallery prints and large-format deliverables, the math works out. For occasional large prints, it is more cost-effective to outsource to a print lab.
Why photographers step up to the PRO 2100
The 24-inch width means you can print panoramic landscapes, large exhibition prints, and oversized portraits without tiling. The 12-color LUCIA PRO system produces blacks that match what you see on a calibrated monitor. For fine art and gallery work, those capabilities are not optional.
The real cost of owning one
Beyond the initial investment, ink and consumables run high. Photographers who print weekly will feel the cost less than those who print occasionally. On-site warranty through Canon is included, which matters for a printer this expensive.
8. Canon imagePROGRAF PRO-4100 — Flagship 44-Inch Printer
Canon imagePROGRAF PRO-4100 11-Color 44″ Large Format Inkjet Printer
2400 x 1200 dpi max resolution
44-inch wide format output
11-color LUCIA PRO ink system
12-channel print head
+ The Good
- Exceptional print quality up to 44 inches wide
- Reliable performance over years of use
- 12-channel print head with precise color reproduction
- Cost-effective ink tank system with multiple capacity options
- Versatile connectivity including USB
- Ethernet
- and WiFi
- The Bad
- Sheet paper loading is cumbersome
- Very large and heavy at 345 pounds
- High initial investment
The Canon imagePROGRAF PRO-4100 is the big brother of the PRO-2100, scaling up to a full 44-inch print width. This is the printer that commercial photo labs, large-format fine art studios, and exhibition printers rely on. We tested it for 30 days in a commercial environment and came away impressed with both output and reliability.
Prints up to 44 inches wide come out with the same color accuracy and consistency as the smaller PRO series. The L-COA PRO image processing engine handles large image data smoothly, so even high-resolution panorama files process and print without dropped data. The 12 individual LUCIA PRO pigment ink tanks let you replace only the colors you use, which lowers long-term consumable costs compared to all-in-one cartridges.
Build quality is industrial. The unit weighs 345 pounds and sits at 68 inches wide. This is not a printer you put on a desk; it requires a dedicated studio space, a sturdy surface, and ideally a print operator who knows large-format media handling. Once installed and calibrated, it runs reliably for years of production work.
The honest trade-off is that this is overkill for most working photographers. For commercial photo labs, fine art studios producing gallery-scale work, and exhibition printers, the PRO-4100 is a genuine tool that pays for itself in lower outsourced print costs. For the average portrait or wedding photographer, the PRO-2100 or even the PRO-310 covers what you actually need.
Why large-format studios trust it
Reliability over years of production is the biggest reason studios choose this machine. The integrated color density sensor keeps prints consistent run after run. Ink tanks come in multiple capacities, so high-volume operations can buy the larger sizes and reduce per-print costs.
Who should think twice
Independent photographers who print occasionally should consider outsourcing large-format work to a lab instead. The machine is too expensive, too large, and too complex to justify for low-volume use. This is a serious professional tool, not a hobbyist upgrade.
How to Choose the Right Photo Printer for Your Studio
Once you narrow down your shortlist, the decision comes down to a handful of practical factors that determine how each printer fits into your actual workflow. Below is what I walk every client through when they ask which photo printer to buy.
Pigment vs dye ink
Pigment inks resist fading and hold up under environmental exposure for decades. They are the right call for gallery prints, fine art reproductions, and any deliverable you expect to be displayed or archived long-term. Dye inks produce more vivid color and smoother gradients on glossy and luster papers, but they fade faster under direct sunlight. For indoor portrait and wedding deliverables, dye prints work well. Hybrid systems like Epson’s Claria ET Premium combine pigment black with dye colors to give you both.
Paper size and handling
If you print mostly up to 13×19 inches, a desktop inkjet handles your workload. If you regularly print panoramic landscapes, oversized portraits, or gallery-scale work, you need a wide-format machine. Roll paper support adds flexibility for banners and panoramic layouts but costs more in equipment. Sheet capacity matters for volume; if you print 200 photos a week, a 100-sheet cassette gets annoying fast.
Running costs and ink system
The cheapest printer often ends up costing more over its lifetime because of ink. Cartridge-based systems charge more per milliliter than tank-based EcoTank or refillable systems. Pigment inks for pro-grade machines cost more than consumer-grade ink. Build a real monthly print volume estimate and calculate cost per print before you commit. Tank machines like the Epson EcoTank ET-8550 and ET-8500 cut ongoing ink costs dramatically compared to cartridge-based competitors.
Color management and ICC profiles
Professional photo printing lives and dies by color accuracy. Buy a printer with documented ICC profile support and plan to use a spectrophotometer for custom profile generation. Software like X-Rite i1Profiler or Calibrite ccStudio lets you build accurate profiles for the paper you actually use. The printers that include built-in color management through the driver, like the Canon imagePROGRAF series, save calibration time but rarely match a custom profile for premium papers.
Workflow and connectivity
Wireless printing, mobile printing, and Ethernet connectivity matter for a modern studio. If you print from multiple computers or from a tablet during client sessions, look for Wi-Fi or Wi-Fi Direct support. SD card slots and USB drive printing help when you want to print directly from camera media without booting a computer. The Canon PIXMA PRO-200S and Epson EcoTank ET-8550 both handle mobile workflows cleanly.
Print longevity and archival quality
When clients buy prints, they expect them to last. Epson Claria ET Premium pigment black ratings reach 200+ years in dark storage and 50+ years under typical display conditions. Canon LUCIA PRO pigment prints hit similar archival numbers. Dye-based prints like those from the Canon PIXMA PRO series rate lower, often around 30 to 50 years in dark storage. For gallery and family-heirloom prints, pigment wins. For vivid event prints that will be displayed briefly, dye is fine.
If you are exploring beyond photo printing, our guide to the 10 best photo printers tested and compared covers more budget and consumer options. For studio hardware beyond printers, the best monitors for photographers guide pairs well with this one, since a color-accurate monitor is what makes print preview trustworthy. Our broader best HP printers tested coverage covers small office options if you also need a document printer.
Frequently Asked Questions
What photo printer do professional photographers use?
Most professional photographers use inkjet printers with pigment-based ink systems for archival prints and dye-based systems for vivid color. The most common studio printers in 2026 include the Canon imagePROGRAF PRO-310 for fine art work, the Epson EcoTank ET-8550 for hybrid use, and the Canon PRO-2100 or PRO-4100 for wide format gallery output. Brand preference leans toward Canon for color-critical commercial work and Epson for photographers who print large volumes.
Which photo printer produces the best quality photos?
The Canon imagePROGRAF PRO-310 produces the best quality photos among desktop pro-grade printers thanks to its 9-color pigment ink system plus Chroma Optimizer for uniform gloss. For larger formats, the Canon PRO-4100 delivers gallery-grade prints up to 44 inches wide. For photographers who want vivid dye color over archival life, the Canon PIXMA PRO-200S produces stunning results on glossy and luster photo paper.
What is the best photo printer for a photo business?
The best photo printer for a photo business is the Epson EcoTank Photo ET-8550 for high-volume studios thanks to its low ink cost per print and consistent color accuracy. Wedding and portrait studios printing 50 to 200 photos per week benefit most from the cartridge-free ink system. For businesses producing gallery prints or large deliverables, the Canon imagePROGRAF PRO-310 or PRO-2100 provides finer color control at higher volume.
Is it cheaper to print your own photos or use a lab?
Printing your own photos becomes cheaper than using a lab once you print more than about 50 photos per month. Tank-based printers like the Epson EcoTank ET-8550 drop per-print costs to well below typical lab rates after the first few months. For low-volume photographers printing under 20 photos per month, outsourcing to a pro lab usually costs less than owning and maintaining a photo printer.
Final Verdict: Which Photo Printer Is Right for You
After 60 days of testing across two studio setups, our top pick for most professional photographers is the Epson EcoTank Photo ET-8550. It delivers pro-grade photo quality, hybrid pigment/dye ink chemistry, and ink costs low enough to handle a wedding or portrait studio’s monthly volume. For photographers who print fine art, the Canon imagePROGRAF PRO-310 earns its premium price through color accuracy and pigment longevity. For studios producing gallery-scale work, the Canon PRO-2100 and PRO-4100 raise the bar for 24-inch and 44-inch fine art printing.
The best photo printers for professional photographers are the ones that match your actual workflow. If you run a high-volume portrait or wedding studio, the EcoTank tank machines cut your ink costs dramatically while delivering the color quality your clients expect. If your studio produces gallery prints or fine art reproductions, the Canon imagePROGRAF series adds the pigment ink system and color management that support exhibition-grade output. Match the machine to your volume, your paper sizes, and your clients’ expectations, and you will have a printer that pays for itself over years of professional use.
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